City of West Hollywood Presents THREE OVERLOOKED WOMEN FILMMAKERS from Artist Sabrina Gschwandtner As Part of the ‘Moving Image Media Art’ Exhibition Series by Sabrina Gschwandtner

The City of West Hollywood announces the debut of the next exhibition in the Moving Image Media Art program (MIMA) program and the worldwide debut of THREE OVERLOOKED WOMEN FILMMAKERS, a collection of three short films, from artist Sabrina Gschwandtner. The THREE OVERLOOKED WOMEN FILMMAKERS Film I will air at the top of every hour, followed by Film II and Film III at 20 and 40 minutes past each hour on the Streamlined Arbor billboard, located at 9157 Sunset Boulevard on the Sunset Strip from Saturday, October 1, 2022, through Tuesday, January 31, 2023.

MIMA is an ongoing exhibition series of moving image media artworks on multiple digital billboards at various locations along Sunset Boulevard. The goals of the MIMA Program are to foster cultural equity, expand accessibility, inspire communication, create public space, and enhance the human experience of the Sunset Strip. Among the most resonant and applicable themes MIMA seeks to represent is the concept of restoration in relation to communities rendered unseen by inequity.

Sabrina Gschwandtner has examined the historical erasure of work done by women in film throughout her career. By creating kaleidoscopic moving image “quilts” of meticulously manipulated historic footage, Gschwandtner’s work performs an act of historical remediation, recovering the names and works of under-recognized women filmmakers of the silent era. Gschwandtner’s expressive films mend unconscionable gaps in Hollywood’s past, but they also exist as beautiful, mesmerizing moments on their own, flickering at the western edge of the city, confidently guiding us home.   

Sabrina Gschwandtner’s artwork, comprised of film, video, photography, and textiles, was recently featured at The Sum of the Parts, Craft Contemporary, Los Angeles, and at a solo exhibition at Shoshana Wayne Gallery in Los Angeles. Gschwandtner’s artwork has been exhibited internationally at museums including the Smithsonian American Art Museum; the Victoria and Albert Museum; the Museum of Arts and Design, Los Angeles County Museum of Art (LACMA), and Crystal Bridges Museum of American Art, among many others. Her work is held in the permanent collections of LACMA, the Smithsonian American Art Museum, Museum of Fine Arts, Boston, the RISD Museum, the Mint Museum, the Philbrook Museum, the Alfond Collection of Contemporary Art at Rollins Collect, and the Carl and Marilyn Thoma Art Foundation, among other public and private collections worldwide. Gschwandtner was born in Washington D.C., received her MFA from Bard College, and received a 2019 City of Los Angeles (COLA) Individual Artist Fellowship.

The Moving Image Media Art program (MIMA) is a City of West Hollywood exhibition series administered by the City’s Arts Division, as part of its Art on the Outside Program, and is presented within the Sunset Arts and Advertising Program. MIMA offers artists the opportunity, and the funding, to create immediate, remarkable, and ambitious works of art that engage with the unique visual landscape of the world-famous Sunset Strip, and experiment with the state-of-the-art technology of high-definition digital signage.  

"Fabric of a Nation" exhibition by Sabrina Gschwandtner

“Fabric of A Nation"

November 17, 2022 - March 12, 2023

Skirball Cultural Center

Los Angeles, CA

Fabric of a Nation: American Quilt Stories features works by more than forty artists in an exhibition that brings to light stories that enrich, deepen, and complicate our understanding of the American experience.

Fabric of a Nation illuminates the unique capacity quilts have to tell stories and convey a sense of humanity. Whether produced as works of art or utilitarian objects, their tactile, intricate mode of creation and traditional use in the home impart deeply personal narratives of their makers and offer an intimate picture of American life. Originally organized by the Museum of Fine Arts, Boston, the Skirball’s presentation will feature additional works by Los Angeles artists Sabrina Gschwandtner, Ramsess, and Sula Bermúdez-Silverman, as well as a quilt from its own collection highlighting key moments in American Jewish history.

"The Sum of the Parts" exhibition by Sabrina Gschwandtner

"The Sum of the Parts”

Craft Contemporary

Los Angeles, CA

May 29 - September 11, 2022

The five artists in The Sum of the Parts explore the physical and conceptual dimensionality inherent in quilting. They investigate core aspects of quilting including abstraction, pattern making, and how memories are embedded in materials, while expanding upon the form itself by pushing beyond its conventional structure using unexpected materials and sculptural techniques.

"Women's Work" exhibition by Sabrina Gschwandtner

“Women’s Work”

Lyndhurst

635 South Broadway
Tarrytown, NY 10591

May 26, 2022 - September 26, 2022

This groundbreaking exhibition tracks the deep, pervasive, and continuing influence of the historic female domestic craft tradition in the practice of contemporary women artists and invites new investigations into the position of women in the contemporary art world.

Solo exhibition, Shoshana Wayne Gallery, Los Angeles by Sabrina Gschwandtner

March 12 - April 16, 2022

Opening reception: March 12, 2-5pm

“Scarce Material”

Shoshana Wayne Gallery

5247 W. Adams Blvd

Los Angeles, CA 90016

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Shoshana Wayne Gallery is pleased to present Scarce Material by Sabrina Gschwandtner. This is the Los Angeles based artist’s third solo exhibition with the gallery. The exhibition will be on view from March 12 through April 16, 2022, with an opening reception on March 12 from 2-5pm.

For this exhibition, the artist looks back to the earliest iterations of the cinematic form, during the Silent Film era. Using black and white 35 mm film, video, silver gelatin photography, and fabric, Gschwandtner offers an alternative to the male-dominated history of film, and a literal mending and repairing of film history. “Scarce Material” refers both to a quilting term for anything that can be stitched together into a quilt, and to the archived early cinema made by pioneering women filmmakers that is in short supply.

The artist worked with local and international film archives over three years to source digital copies of some of the earliest films made by women cinema pioneers, whose work from the late 1800s - early 1900s is woefully under-recognized. She prints these movies onto black and white 35 mm film stock, and then cuts and sews the film into configurations based on quilt motifs. She intermingles footage to create a dialogue between the images inside the frames and the overall patterns of the quilt designs. The artist’s sewing of film is a three-dimensional form of cinematic editing and a reconfiguration of the notion of "filmic suture" (the use of editing to draw audiences into a story). It is also a way to center marginalized material histories of cinema, in which women with sewing skills translated their handcraft to film editing, and certain early film technology was based on the mechanical advancements of the sewing machine.

Many movies made by pioneering female filmmakers were never archived, and have been lost to history. To honor these works, the artist hand-embroiders filmmaker’s names and hand-writes the titles of their films and the dates the films were made onto blank film. Gschwandtner’s silver gelatin photos and video evoke cinema’s earliest origins in stop motion photography through a translation of moving images into patterns of women’s self-portraiture.

Gschwandtner has exhibited internationally at museums including the Victoria & Albert Museum; Los Angeles County Museum of Art (LACMA), Smithsonian American Art Museum, and Crystal Bridges Museum of American Art, among many others. Her 3 channel video “Screen Credit,” commissioned by LACMA, is currently on view at the museum’s Stark Bar. Her work is held in the permanent collections of LACMA, the Smithsonian American Art Museum; Museum of Fine Arts, Boston; the RISD Museum, and the Carl and Marilynn Thoma Art Foundation, among other public and private collections worldwide. Her ‘zine KnitKnit is included in the permanent collections of The Museum of Modern Art, the New York Public Library, the J. Paul Getty Museum, and the Fine Arts Library at Harvard University. She received a BA from Brown University and an MFA from Bard College.

The artist wishes to thank: EYE Filmmuseum, the Netherlands; Gaumont-Pathé Archives; British Film Archives; Kino Lorber; Academy Film Archives; Women Film Pioneers Project; Gregory Yee Mark; Suzan Mischer; Aimee Mann, and Maia Julis.

Uncommon Ground by Sabrina Gschwandtner

An online exhibition featuring:

Shiva Ahmadi, Nancy Baker Cahill, Tom Burckhardt, Max Colby, Russell Crotty, Nicole Eisenman, Sabrina Gschwandtner, Mike Kelley, Ed Kienholz, Joshua Marsh, linn meyers, Yoko Ono, Raymond Pettibon, Harry Roseman, Jim Shaw, Kiki Smith and Yuken Teruya.

September 21 - November 30, 2021

"Fabric of a Nation" Museum of Fine Arts, Boston by Sabrina Gschwandtner

Museum of Fine Arts, Boston

October 10, 2021 - January 17, 2022

Quilts and coverlets have a unique capacity to tell stories: their tactile, intricate mode of creation and their traditional use in the home impart deeply personal narratives of their creators, and the many histories they express reveal a complex record of America. Quilts have also been used in North America since the 17th century, and their story, told by many voices, has evolved alongside the United States.

Upending expectations about quilt displays—traditionally organized by region, form, or motif—“Fabric of a Nation: American Quilt Stories” is a loosely chronological presentation in seven thematic sections that voices multiple perspectives. Visitors see and hear from artists, educators, academics, and activists, and the remarkable examples on view are by an underrecognized diversity of artistic hands and minds from the 17th century to today, including female and male, known and unidentified, urban and rural makers; immigrants; and Black, Latinx, Indigenous, Asian, and LGBTQIA+ Americans. The exhibition invites visitors to celebrate the artistry and intricacy of quilts and coverlets and the lives they document, while also considering the complicated legacies ingrained in the fabric of American life.

The exhibition brings together the only two surviving quilts by artist Harriet Powers, displaying the MFA’s iconic Pictorial quilt (1895–98) alongside the Bible quilt (1885–86), on loan from the Smithsonian’s National Museum of American History, for the first time. Powers, who was born into slavery in Athens, Georgia, was an exceptional artist and storyteller. Together, the masterpieces in this exhibition tell inclusive, human stories that link us across time and articulate a rich, and richly complicated, story of our shared history.